Ongoing collection to chart the passage for painting in the continuous current, with writing for work informed by or informing painted practice. Images, modelled and actual paint all twisted like a vine, etc. Since 2009
A computer program is not a human being. But it IS the case, presumably, that any entity capable of adapting its performance to circumstances which were unpredictable when its performance began exhibits intelligence: whether that entity is human or not. We are living on the crest of a cultural shock-wave of unprecedented proportions, which thrusts a new kind of entity into our world: something less than human, perhaps, but potentially capable of many of the higher intellectual functions — it is too early still to guess HOW many — we have supposed to be uniquely human. We are in the process of coming to terms with the fact that “intelligence” no longer means, uniquely, “human intelligence.” Harold Cohen, 1982
Meanwhile, Anthony Pompliano, Morgan Creek Digital co-founder and partner, wrote on Sept. 21: “I personally believe that the digital art market cap will grow to become larger than the physical art market cap. This may sound ridiculous today.”
Clearly, the digital art market is heating up. Duncan Cock Foster, co-founder at digital gallery Nifty Gateway, told Cointelegraph: “The digital art movement is growing at an incredibly rapid pace. The amount of growth we are seeing has surprised everyone involved I think.”
Osinachi, who grew up in Aba, Nigeria, produces drawings using Microsoft Word, where he utilizes the basic limited design palette of the word processing software to create narrative illustrations. Africa’s foremost cryptoartist, Osinachi‘s works are further registered in the blockchain and sold as non-fungible tokens (NFTs).
